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Archive for September, 2008

Sep 30 2008

A Declaration from the Outskirts (Continued)

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LeRoy Neiman brings his outlandishly colorful style to Circus 2001.

II.

His brush meshed with angels’ hair flies to canvas and begins to play harps. Line and color have no trajectory but the soul’s screaming at itself for a new childhood. He wishes it were like the old days before taxes and credit cars. Before buyers and sellers, there were spacemen in cellars where he use to play when he was little… little more than a wandering dreamer watching Sesame Street and reading Batman comics and planning his trapeze act. And So he paints - vivid and bursting skies of colors, funky jazz cats from his father’s record collections and scenes hi eyes never thought they’d see: tigers partying with purple people, buildings so grand he can and must add color, feelings so lucid that they see in rainbows because after all, his soul must breathe!

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Sep 29 2008

Features from the Outskirts: The Phantom of the Opera (1925)

This is the first installment of a series of videos and performances available in the public domain free for public use. Part of Art from the Outskirts’ mission is to provide a voice not only for the unique artists and creators of today and but also to give a spotlight of reverence to great works of the past. Enjoy the show!

The Phantom of the Opera (1925) Starring Lon Chaney Sr. as The Phantom (Adapted from the 1909 French novel Le Fantôme de l’Opéra by Gaston Leroux)


Watch on a larger screen.

Facts from the Outskirts: Chaney was dubbed “The Man of a Thousand Faces” for his self-styled make-up techniques which he utilized in nearly 200 roles from 1912-1930 including the lead role as Quasimodo the 1923’s film version of Victor Hugo’s The Hunchback of Notre Dame.

“I wanted to remind people that the lowest types of humanity may have within them the capacity for supreme self-sacrifice,” Chaney wrote in Movie magazine. “The dwarfed, misshapen beggar of the streets may have the noblest ideals. Most of my roles since The Hunchback, such as The Phantom of the Opera, He Who Gets Slapped, The Unholy Three, etc., have carried the theme of self-sacrifice or renunciation. These are the stories which I wish to do.”- Chaney speaking to Movie Magazine in 1925

Summary and background of film incarnations provided by Google Video:

At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. Most prints of this movie are from the 1929 reissue version. This version is from 1925. Phantom of the Opera was remade several times. In 1943, director Arthur Lubin produced a 92 minute color version. Oscar winner for Cinematography and Art Direction. In 1962, Phantom of the Opera was directed by Terence Disher, starring Herbert Lom, Heather Sears. 84 minute British production. In 1989, director Dwight H. Little produced the fourth version of Phantom of the Opera with Robert England and Jill Schoelen. Shot in Budapest, but set in London. The 1999 Italian version of The Phantom of the Opera was directed by Dario Argento. (Additional Note: The 2004 version was directed by Joel Shumacher and recieved 30 award nominations including three Oscar nods as well as five wins).

*Most famously the novel was adapted in musical form in Andrew Lloyd Webber’s 1986 Broadway smash of the same name.

Check back here here for more classic features from the Outskirts!

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Sep 28 2008

“Jesus in the Booth” (Inspired by Thayer’s “Casey at the Bat”)

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The Emotions of Jesus by Nadine Rippelmeyer

An original piece by Michael LaPenna

“Jesus in the Booth” (Inspired by Thayer’s “Casey at the Bat”)

The decision wasn’t easy for one Jesus on that day.
So he stepped outside a moment and at once began to pray.
I had come back in this moment to better cultivate the youth
But ’tis hardest to seek righteousness from inside a voting booth!

So many politicians say they speak on my behalf
But the way they conduct business makes the Devil fully laugh!
Some say that I’m a Democrat, that I’m Republican.
I tell them that the Son of Man is only free from sin!

Yes, I do oppose abortion of a fetus in a womb,
But I truly, truly, hope their war will end so very soon!
And they shall see the wrath of God if they ignore the poor,
Give tax breaks to the mega rich with treasure that men hoard!

Oh, so many politicians seem to live as pharisees
With no care for one another but the highest self-esteem.
They offer many promises to the public by in large,
But soon they will take office for the people’s disregard.

I see how they treat each other as the scum on Satan’s shoes!
I watch TV moderators create sound bites for the news.
They twist and tangle subtle words that no one can debate
And soon the words are opposite of what they should relate.

Yet, some speakers are directly quoted, let the record show
And do not let a “yes” mean “yes”, a “no” to just mean “no!”
They actively use passive voice and say, “Mistake were made,”
But do not realize doing so, will dig them deeper graves.

For those who walk in righteousness are those I would elect,
They give comfort to their fellow man and never force neglect!
How many of them would oblige to love their enemies?
I might be in Guantanamo if they’d encountered me!

Yet truly there are those I know whose righteousness withstands,
The slings and arrows, roadside bombs begat with evil hands.
And so I choose to keep my vote away from such a place.
Regardless of their politics… the just shall live by faith!

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Sep 27 2008

Musical Notes from the Outskirts: The Prodigy “Breathe”

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Vocalist and emcee Maxim Reality lives up to his moniker!

Back in 1996, a brazen British band by the name of The prodigy (or just “Prodigy”) took their five years of rave-induced symphonic tribal beatblazing and brought it Stateside to a post-grunge America who now wanted to combine the angst of Alice in Chains with the beat-heavy brashness of the Wu-tang Clan. The Prodigy seemed to fill that void with their double platinum Fat of the Land album by marrying big beat electro with rock and hip hop in ways that have been barely seen or heard of since by a mainstream audience.

Their video of the same year for their single “Breathe” belongs to a seemingly Jungian version of MTV where the shadows that usually dominate only the unconscious mind are put front and center for the viewer’s entertainment. The video, directed by Walter stern, is set in a decaying, decrepit apartment wherein millipedes, roaches and crocodiles feel quite at home to peruse each and every bit of space with evil intent with creeping creatures giving the pulmonary percussion, tinny guitar, sword clashing sound samples and acidic vocal growls and screeches something different to accent at each frame. This along the with an eerily disarming punk-goth, “apocalyptic chic” wardrobe by the band’s vocalists Keith Flint and Maxim Reality make for a level of semi-abstract expressionism rarely seen outside of modern visual art.

Brrrreathe with me from the Outskirts!

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Sep 25 2008

Perspectives: Will Cotton

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copyright Jean Kallina Cotton 2001

Today, a special treat! One of your faithful blogger’s favorites of the modern painting pantheon: Will Cotton

Will cotton’s fanciful surrealist yet photorealistic approach to painting has won him praise from all over the art world. But it his is realism in imagination that truly makes Cotton one of a kind. It was the great fictional icon Willy Wonka who said we are the makers of dreams. Cotton is such a person by his own admittance in arguably the most sincere sense.

Nearly twenty year ago, just a few years after spending a some formative years studying in France and graduating from the Cooper Union university in New York with a traditional B.F.A. in 1987, and completing additional credentials at the New York Academy of Art, Cotton veered from the world’s path of least resistance and began tinkering with an idea he couldn’t resist - a candy-coated world of chocolate rivers, cookie cutter homes and M & M dreams! It is to be noted that “Candyland” conspicuously appears to be an exclusively lesbian colony though according to Cotton, it was not a conscious act to make it so.

Cotton described his evolution in a recent interview with fellow photorealist Adam Stennett:

“In the early nineties I made a group paintings using advertising icon characters. I felt like this was a cultural iconography I could understand, a set of universal symbols that we’d all grown up with. I made paintings of Mr. Bubble, the Hamburglar, Twinkie the Kid, and many others, and I found myself being drawn more and more toward anything specifically involving sweets. I was looking for a metaphor for pure indulgence, pure pleasure, something that only exists for enjoyment and nothing else. It was around this time that I came across the Candy Land board game I’d played as a child and I started to explore how a sweet landscape might take on the role of main character in the narrative” (Whitehot Magazine, 2008).

Cotton ’s most recent Painting Ribbon Candy was exhibited over the summer at the Mary Boone Gallery in New York.

Ribbon Candy 2008
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The Only Paradise is Paradise Lost 2007
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Nut House 2007
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Cotton Candy Clouds 2004
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Chalet 2003
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Ice Cream Cavern 2003
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Chocolate Bath 2002
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Chocolate Forest 2001
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Peppermint Hideaway
2001
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Devil’s Fudge Falls 1999
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Sweet, sweet art from the Outskirts!

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Sep 24 2008

Featured Sculpture: A Quite Witty Piece of Found Art

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Ben Skinner shows a witty, filthy innocent yet no so innocent sense of the absurd.

Note: Found art refers to found objects which are slightly modified to convey any artistic expression.

And so it goes on the Outskirts!

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Sep 23 2008

Why the Creative Thinking of Your Childhood is the Basis for All Real Learning

Also featured on Waxing Poetically

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Happy kids make art vivagallery.org

“I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.” — Fyodor Dostoyevsky, Notes from Underground

Think back to your childhood. Did you play? Did you run around your house in your underpants pretending to be your favorite hero or heroin trying to save the world from an evil scientist? Did you ever build anything: a house of cards, a tower of crackers, maybe a simple fort? Did you ever play cop and fight imaginary villains and try to thwart a robbery? Maybe you were the one who pretended to have a family of five, a beachfront vacation home and an office in the city. Even if you did none of these, back when you were six, nine, eleven years old your mind wandered if your normal, day-to day got too boring.

Now contrast your play life with that of school. First, the adults made you go. There was no compromise, no voting and no writing to your local senator or the ACLU about how you feel your parents may have violated your constitutional right to stay home and eat Fudgie the Whale ice cream cake all day (or maybe it was Count Chocula… whatever). You had to go to school. No amount of negotiating would change that. You rode your school bus, arrived at school, and soon thereafter would learn whatever the day had in store: spelling, grammar, math and history for which you had no point of reference. Flashcards were equally monotonous - you sat in your chair memorizing each card to the point your brain would just shut off and proceed to rattle off answers like a Pavlovian pup waiting to be rewarded with that peanut butter and jelly masterpiece your mother prepared while you were negotiating the Fudgie the Whale particulars.

Then it was lunchtime! Lunch was great because you could always compare the other kids’ food with yours. Even if yours was crappy the kid at the end of the table who ate crayons for money would devour your cafeteria meatloaf like a vulture on a deer carcass! Lunch was a time to talk about your favorite pastimes. Baseball was popular with the boys and for some unknown reason, fortune telling was the girls’ thing with little paper-folded demon machines which always said something like “You smell like pee and have a hairy butthole!” Recess would follow and someone would always get maimed by a dodgeball or innocently and precociously chased by a member of the opposite sex (usually) and another kid would get inadvertently beaten with the double dutch ropes.

Next you’d have more science work to do, memorizing ten categories of plant life or you’d learn how to type like a speed endurance champion or maybe go to a gym class, art class, music class (these all varied depending on your school’s budget). But these were the times that seemed most free. In art class you could paint the sky purple and no one could tell you it was wrong. Music class had all those silly 1920s “flappertastic” classics that you by all accounts hated… but at least it didn’t have any long division or decimals! On the days you had gym, you ran in a circle for ten minutes and then perfected your volleyball serve to a tee while you gave your best Olympic-style grunt. Ah, those were the days, heh?

It is without question sadly prophetic that I should speak in the past tense about your and my collective school experience because right now as I speak to you only likely only half of K-12 aged students receive regular physical education - and art classes, while the highlight of many a child’s day are now a luxury. This is largely due to the 2001 No Child Left Behind Act which brought about stricter and more streamlined testing standards for schools nationwide that focus primarily on math and literacy skills. Kids are tested three times a year and thus have to spend a considerable about of time preparing for tests. But the evidence suggests that the arts that with out the arts and exercise, U.S. Children may be actually losing their ability to process, analyze an dissect information in ways that are essential for innovation in business, science, engineering and medicine. A Centers for Disease Control study completed this past year suggests that girls who get at least 70 hours of exercise per week perform significantly better overall than those who average 35 hours per week. Boys, the study says, may need even more activity. Arts have been shown to be even more paramount to healthy brain function. Playing music for instance requires vigorous processing on both sides of the brain while creative expressions in writing and visual arts require critical thinking and an ability to view the world and its problems in new and uncharted ways for the fact that art is not usually restricted to 2 + 2 = 4. This was probably best expressed in the words of Russian novelist Fyodor Dostoyevsky in his existential classic Notes from the Underground when he opined, “I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.”

What No Child Left Behind robs from children’s education is the imagination of childhood and also fails to cultivate that all important physical instinct to run, jump, climb, push and explore which physical exercise provides. Children have an uncanny and innate ability to conquer their world just by looking around it, exploring digging, running or playing make-believe. It is just that simple. In this way, children who make art are the future architects and engineers, the most curious minds are often among those who cure diseases or build spaceships and the best actors are often the best undercover investigators on the face of the earth! Then there are the entertainers who make you and me smile at the end of a bad day, artists who allow us to look at our lives with newborn eyes, athletes who make us realize that our human bodies have oh, so much untapped potential! It is My Friends, these elements which compose the human being in all his glory and you and I have known this ever since we first began to play. So I say to you: Play on, create and imagine. Imagination is after all, your most sacred tool with which to discover the Universe which lies before you!

See you later… from the Outskirts!

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Sep 23 2008

Street Scenes: Obama Mural

This photo is was taken by Miss Eden Connelly in New York City. Is this an example of art to affect change?

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Change often comes from the Outskirts!

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Sep 21 2008

Sportin’ Ink at the Dutdutan Festival

As featured on my other blog Waxing Poetically

Here’s something different for this lovely Sunday: Manilia’s Dutdutan Festival is happening this weekend. The festival whose name actually translates to “piercing” in most Tagalog dialects showcases some quite elaborate body art as seen in this clip. Tattoos as in many other cultures have been seen largely as taboo in what has been a very conservative Philippines. However, the youth here express excitement at the prospect showing off their skillful work and likely gaining a few new customers. Thirty artist compete for this year’s awards in categories such as “Best Full Color,” “Best Tribal,” an “Best Black and White” “Best Arm and Best “Leg” and more unique categories such as “Most Realistic.”

Though gaining wider acceptance among Filipino youth, tattooing is still scant throughout the country with only 150 shops in existence. But patrons in this clip say that a tattoo can have special meaning and remind the wearer of who he or she is. One man even has gone so far as to put the face a crucified and bleeding Christ on his belly proving that “taboo” is not a word for those who love their tattoos.

Story provided by Reuters

Tattoos are quite Outskirtish, are they not?

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Sep 20 2008

Ads from the Outskirts: Axe Dark Temptation - Chocolate Man

The following ad is for Axe Dark Temptation body spray is the brainchild of the good people at the Vegaolmosponce advertising agency in Argentina in collaboration with the MJZ production company and is directed by Tom Kuntz.

The Premise: A young, hansom man wakes from a night’s sleep refreshed and ready to take on the day - but before he leaves, he walks to his bathroom to spay Axe Dark Temptation body spray on himself after which he turns into a giant, chocolate man looking tempting as ever and ready to woo some hot ladies… and thus the fun begins!

This is one of the more ingenuitive ads I’ve seen in years! I’m not sure this one would ever slide past network and cable censors in the United States, but the storyline alone merits Superbowl status in my view. I should think Willy Wonka might have really loved this one (were he a real person) because it is after all, such a purely imaginative use of chocolate!

Until next time from the Outskirts!

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